‣ Romeo & Juliet Overture - Peter Ilyich Tchaikovsky, Fiachra Trench ‣ The Rake Hornpipe - Robert Alexander White Krabs congratulates SpongeBob on his success at the prom, then goes in his house and closes the door, then the real SpongeBob appears to retrieve his wax dummy of himself, and carries it off, laughing.Īrt based on this episode drawn by storyboard artist Eliza Herndon Music ( ‣ ) Production music Pearl says goodnight to SpongeBob as she returns home, and tries to get SpongeBob's attention, but as she does so, SpongeBob appears to be frozen. Krabs really meant a literal flower on the walkway. Krabs opens the door with a rake saying "Keep away from me flower!" Pearl thinks he is talking about her, but Mr. SpongeBob apologizes, but Pearl tells him not to worry as she knew it was going to be a total disaster the whole time and even though it was a disaster, it was really fun. An angry mob forms and lifts up Pearl and SpongeBob, who think they are popular enough to be lifted as until the mob throws them out of the building. However, this results in many injuries and mass destruction. They begin doing a dance called " Doing the Sponge," which everyone else soon begins doing. This ultimately succeeds, and Pearl and SpongeBob join the prom dance. Pearl, feeling sorry for him, attempts to console him and restore his confidence. SpongeBob and Pearl doing the Sponge dance. SpongeBob, after having broken everything at the prom, runs into the ladies' restroom crying. However, SpongeBob's costume soon begins malfunctioning, resulting in disaster and severely embarrassing Pearl. On the night of the prom, things initially work well for SpongeBob and Pearl. Despite being excited to go to the prom with Pearl, SpongeBob admits later he never got a date for his own prom and is a failure.Īt home, using a magazine Gary provides as a guide, SpongeBob dresses up and uses extremely long and unstable artificial legs to make himself look "long, tan, and handsome" for Pearl. Krabs proceeds to give SpongeBob words of advice, only for another SpongeBob to walk over and reveal the other SpongeBob was a realistic wax dummy in his likeness. Pearl does not want to be embarrassed by SpongeBob, and begs him to try his best to not do anything embarrassing. Ultimately, he offers to have SpongeBob accompany her. He then suggests she take Squidward or one of the restaurant's customers to the prom, but she continues crying, which causes the earthquake to become worse. Krabs offers to take her instead, but she starts crying, causing an earthquake. Krabs what is wrong with Pearl, and he explains to SpongeBob that her apparently "long, tan, and handsome" prom date has just dumped her the day before the prom. Just then, Spongebob hears Pearl running in crying so profusely that her tears literally flood the restaurant. Turns out she has a good reason: she was actually raised in an orphanage there for a short while before being adopted by kindly midwestern farmers, and now wants to find her birth parents.The episode begins at the Krusty Krab, with SpongeBob making a Krabby Patty in the kitchen. When she hears that local pianist Myra Brooks (Victoria Hill) is in search of a chaperone to accompany her precocious but exceedingly talented teenage daughter Louise (Haley Lu Richardson) to New York to attend a prestigious dance school, Norma mysteriously jumps at the chance. When first met in 1922 in Wichita, Kansas, Norma seems like a nice, churchgoing lady of a certain age, respectably married to a lawyer (Campbell Scott) and mother of two practically grownup sons. Here, that parallax view is from the perspective of Norma – played by Lady Grantham herself, Elizabeth McGovern, taking a lead role for a change. Like so much of Fellowes’ work, it effectively flatters the viewer by assuming he or she must be familiar with certain historical figures (in this case, early cinema star Louise Brooks) and then appears to dish the dirt on them through the eyes of a character from another class or at least different social sphere. Written by Julian Fellowes, who brought us Downton Abbey and recent series The Gilded Age, and directed by Michael Engler, who worked on both the aforementioned, this based-extremely-loosely-on-fact costume drama adapted from a novel by Laura Moriarty should hit the sweet spot for fans of Fellowes’ particular variety of saucy-soapy period pieces.
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